Here can you find the following press break on behalf of
ALL THAT I AM
Educational Media Reviews Online, by Stephanie A. Diaz: "In the classroom, this film would be ideal for any courses designed to discuss sexual abuse, post-traumatic stress disorder, trauma recovery, and social services that support victims of abuse."
Cinema Sentries, Darcy Staniforth: A beautiful story of courage in the midst of fear
Indiewire, Eric Kohn: “An intimate portrait of the defiant Emile, as she pushes past the scariest aspects of her past to carve a path to a better future. It’s exactly the sort of personal take on a dark but essential subject that benefits from the festival platform, even in these strange times.”
THE HOLLYWOOD REPORTER, Sheri Linden: “HAS A GRIPPING VÉRITÉ POWER. Intimately observed but never intrusive. A quietly observant profile in courage.”
POV MAGAZINE, Jason Gorber: “There’s no denying the calibre of the unique and powerful character at the heart of the film. Emile’s story is one shared by far too many, yet the way she is allowed to tell it, in dribs and drabs as she comes to terms with all that has transpired, is quite impactful.”
Film School Radio: Interview with Tone Grøttjord-Glenne By Mike Kaspar
Cinephiled: Interview with director Tone Grøttjord-Glenne, By Danny Miller
The Gate, Andrew Parker: “GUT-WRENCHING AND HEARTBREAKING. The kind of film you hope everyone sees because it might make the world a more understanding and empathetic place. Honest and unflinching. Gorgeously shot, expertly paced, and overwhelmingly emotional. ”
Hot Docs 2020 Review: The Aftermath of Sexual Abuse is Seen Through a Unique Lens in Tone Grøttjord-Glenne’s “All That I Am”
Spirituality & Practice, Frederic and Mary Ann Brussat: “EMOTIONALLY TOUCHING. A powerful appreciation of the lasting damage of sexual abuse on children and those closest to them. DRAWS OUT OUR EMPATHY.”
Business Doc Europe: Interview with Director Tone Grøttjord-Glenne By Nick Cunningham
Cineuropa: Interview with Director Tone Grøttjord-Glenne of All That I Am, By Marta Balaga
Unseen Films: Positive Review By Steve Kopian
Thirty Four Flavours: Positive Capsule Review, By Melanie Zuzarte
THE MOVEABLE FEST, Stephen Saito: “VIVID. A distinctive and insightful look at [...] lingering trauma. As she moves through the world, you get a strong sense not only of her loneliness, but the constant fear of the unknown.”
The Seventh Row, B.P. Flanagan: “Amongst the most impressive works I’ve seen at Hot Docs, an issue film that refuses to make an issue of its subject.”